Music column

Local bands have some brand new holiday-themed tracks aimed at some different, perhaps more complex winter feelings.

Brett Fieldcamp reviews a new production by OKC Parks, "Gem of the Ocean" by August Wilson performed in the Civic Center's CitySpace Theater.

The pictures Justin Wallis paints range from the rainy, electrified hardscapes of cyberpunk and neo-noir to the late-night, empty airports of our real world.

There’s long been a sense that Blue Note could be restored to its former jazzy, bluesy, rootsy glory, says Brett Fieldcamp.

Trying to define the sounds at play on Clare Costello’s newest release is an uphill battle says Brett Fieldcamp.

Matt Lowery's newest full-length album, appropriately titled “Waking,” is the musical equivalent of dozing in and out of consciousness.

John Calvin Abney has been singing so much that now he needs vocal cord surgery. This instrumental album's proceeds will help pay for it.

There are plenty of ways to beat the heat in OKC during these hot temperatures with these unique film options in the core of the metro.

This October, OKC theaters are rolling out some of the horror genre's most legendary films most often seen on TV, but this month they will be on the big screen.

Now, much to the surprise of boomers everywhere, it’s not only okay to like soft rock, it’s actually become (kind of) cool.

OKC’s most respected art houses are committed to screening the contenders for this year’s Documentary Short Subject race.

Performing arts are big at the Oklahoma City Festival of the arts this year and Brett Fieldcamp gives you a quick rundown of the acts.

Sometimes you see a film that is so much better than it has any right or reason to be. Elusive is one of those.

BUGNOG's newest effort, "Lummox," offers fans a tighter, darker, and more adept mashing of metal styles than ever before.

Soulful subtlety, minimalist magic, and experimental hip-hop all feature in recent local music singles from some of the city’s best and most diverse artists.